Nasser Al Salem is a contemporary calligrapher whose work redefines Arabic calligraphy, pushing its boundaries into unconventional mixed media forms and conceptual explorations. Born in Mecca, Al Salem grew up near the holy Ka’ba, immersed in the spiritual and cultural essence of the holy city while attending calligraphy classes within the mosque. His family’s tent-making trade further rooted him in the region’s heritage. Al Salem pursued formal studies in architecture at Umm Al-Qura University, where he merged his artistic passion with an architectural mindset, blending analytical precision with creative expression. Currently residing in Riyadh, he works as an architect and is an active member of the National Guild of Calligraphers.
Al Salem’s artistic practice transcends the visual beauty of Arabic script, delving into its conceptual and spiritual dimensions. Drawing from his architectural training, he employs a tri-partite approach that integrates word, medium, and aesthetic, creating multi-layered works that challenge viewers to engage with language beyond its traditional forms. Inspired by his personal experiences, cultural surroundings, and Qur’anic verses, his work invites universal introspection and wonder. Rooted in his faith and community, his art conveys messages that transcend boundaries, resonating spiritually and historically with diverse audiences.
Al-Salem’s exhibitions include Amma Baad at Delfina Foundation, London (2019); Casa Árabe, Madrid (2019); State of Affairs, Athr Gallery, Jeddah (2016); and And It Remains, Athr Gallery, Jeddah (2012). His group exhibitions span major events such as Abstraction and Calligraphy − Towards a Universal Language, Louvre Abu Dhabi (2021); Ekphrasis: Writing in Art, Villa Empain, Brussels (2019); and Nomadic Traces: The Journey of Arabian Scripts, Warehouse 421, Dubai (2019), Islamic Biennale group exhibition Awwal Bait (2023).
Al-Salem’s works are housed in esteemed collections, including the British Museum in London, LACMA Los Angeles, the Guggenheim, Abu Dhabi, and the Centre Pompidou in Paris. Shortlisted for the Jameel Prize at the Victoria & Albert Museum in 2013, his practice continues to bridge tradition with innovation, shaping the global conversation on contemporary calligraphy.