Sultan's practice takes on many forms, including videos, sculptures, photographs and installations. He has been invested in collecting memorabilia, historical relics and discarded objects from various sites across Saudi Arabia. The artist then creates sculptures and installations that look into the transformative critical latency of the ruin. In this art practice, he focuses on pivotal personal moments that are synonymous with the social metamorphosis of the country. The artist is invested in the act and concept of translatability, particularly of the intangible, such as evident in language, to reinterpret histories and narratives. He attempts to capture the intangible in material culture to demonstrate and embody its inherent social and collective potential. The Red Palace foregrounds Sultan’s current research and uses it as a common denominator of the various works that are exhibited.