roduced at a seismic juncture in the region and the world at large, The Ground Day Breaks resonates with many topical ecological, social and political concerns. Shono’s primary material, reclaimed black foundry sand, is a discarded industrial byproduct. Carbonised sand is used in foundries to create moulds and give shape to objects; over time it becomes obscured, coated in layer after layer of residue, the indelible trace of past forms. Ironically, although sand is a defining feature of the Arabian Peninsula, it cannot be employed for construction, and has few practical uses aside from foundry sand. Through a carefully researched and experiential process spanning nearly two years, Shono has developed unique techniques to transform and manipulate this inherently anonymous, mutable substrate, revealing a profound intertwining between material and conceptual practice.
The Ground Day Breaks expands on themes central to the artist’s oeuvre: renewal and the tension between the architectural logic of the built environment and that of the natural landscape. The grains of sand in the exhibition, whether shaped into sculptures, broken on paper, or transferred to carbon, exist in a liminal space between being and not being, between demise and rebirth, and between past existence and future speculation.
Shono’s work is both physically meticulous and expansive; the titular site-specific installation completely envelopes the space around it with approximately 2,000 individual hand-crafted sculptures. When viewed as a whole, the exhibition captures a fragile and unsettling moment that is fraught with a sense of decay or destruction yet filled with promise: the paradoxical energy of a transformation-in-waiting. For all their ruination, the works exude a poetic beauty. In the face of the world’s ongoing despair and overlapping crises, we are left with hope; even in a parched garden seeds can germinate and ideas can grow.
Regular hours:
Sunday–Thursday: 4–11pm
Friday: Closed
Saturday: 12–8pm
